Finding the Wild


Lichens
Post-Shelter
Mould Takeover
Don’t shit where you eat
The Mill
Fishing Zone
Compass
1-Stroke-Sugar-Motor
Non-Extractive Mining


Finding the Wild (Jazmin Charalambous & Felix Mohr) make sculpture, performance, and participatory works rooted in ecological research. Their practice moves slowly — through contaminated ground, living organisms, and overlooked materials. They ask what it means to pay attention to the more-than-human world at a time when it is disappearing.

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Non-Extractive Mining


2022– 
works on paper 
plant and fungi ink on paper 
Gorredijk, Friesland (NL)

Untitled I, 2022


Colour is information. The range of pigments a landscape can yield — from its plants, fungi, bark, and berries — is a direct index of its biodiversity. A rich habitat produces a wide palette. A destroyed one produces almost nothing.

Non-Extractive Mining is a body of ink and watercolour works on paper made entirely from self-made plant and fungi inks, developed during a residency at Stichting Utopa in Friesland. Foraging the surrounding landscape, Finding the Wild extracted pigments from whatever they found — building a palette that runs across browns, yellows, greens, and occasional purples. Red is rare. Blue is almost always what remains.

The works are made in two registers: industrial farming machinery and insects — the forces of extraction and the life it displaces, rendered in the same hand, from the same materials, on the same 50 × 70cm sheets. The colours are currently vibrant, carefully stored. Natural pigments fade with light and time. At some point, most of what is visible now will be gone — leaving only blue.

The series is an ongoing body of work.

Untitled II, 2022
Untitled III, 2022