Finding the Wild


Lichens
Post-Shelter
Mould Takeover
Don’t shit where you eat
The Mill
Fishing Zone
Compass
1-Stroke-Sugar-Motor
Non-Extractive Mining


Finding the Wild (Jazmin Charalambous & Felix Mohr) make sculpture, performance, and participatory works rooted in ecological research. Their practice moves slowly — through contaminated ground, living organisms, and overlooked materials. They ask what it means to pay attention to the more-than-human world at a time when it is disappearing.

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1-Stroke-Sugar-Motor


2021 
sculpture 
glass, sugar, compost
See U Brussels (BE), Marta Herford (DE)

1-Stroke-Sugar-Motor, exhibition view, See U, Brussels, 2021


During a residency in Bassenge, Belgium, the surrounding landscape became a flood zone. In the aftermath — stranded, without reliable heat — the question became practical: how do you generate warmth from what is immediately around you?

1-Stroke Sugar Motor is the answer rendered as sculpture. A single glass cylinder, encased in hardened sugar doughnuts, is packed with composting layers: fruit and vegetable scraps, grass clippings, fallen leaves, dead plant matter, sawdust. As microbes decompose the layers, an exothermic reaction generates heat — temperatures that can reach up to 70°C. Visitors are invited to eat fruit and drop their leftovers inside, slowly refuelling the machine.

The object is legible as a motor, a heater, a digestive organ. Fuelled by sugar and biological process, it produces both warmth and, over time, nutrient-rich soil — waste completing a cycle that industrial systems interrupt. The sculpture asks what it would mean to treat byproducts not as problems to be managed but as energy sources waiting to be activated.

First shown at See U, Brussels (2021), and subsequently at the Marta Herford Museum as part of the Recycling Design Prize (2022) — where its presence among design objects created a productive friction, the work refusing easy categorisation as either art or solution.

Exhibition view, Marta Herford, Recycling Design Prize, 2022 
Photos: Felix Hüffelmann